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#1 |
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Roadrunner Jr.
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It's very possible if you're using the mids in the doors the kicks would be a nice location. If you get some L3s, my suggestion is to see if you can work your way into the L3SEs. I know that they're a bit expensive but I'll tell you what, the difference between my L4 and the L4SEs was remarkable.
I'm working on the tweeter placement at this point for myself. I'm not in a hurry...yet. I'm also planning a BIG IASCA competition for next year.
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“To argue with a person who has renounced the use of reason is like administering medicine to the dead.” ― Thomas Paine |
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#2 | |
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Quote:
and just to clarify your sentece: "It's very possible if you're using the LOWS in the doors the MIDS in the kicks would be a nice location." I'm really considering moving the mids to the kicks, PLDs will make more sence (now I understand) and will make my stage wider and push further in the direction of the hood, and be able to play them as a "point source" (from 150K and up) would benefit towards a better image that I have now. After running my set up for more than 5,000 miles I can tell that having the ability to change from a 2 way to a 3 way (active) in less than 10 seconds (Mute Mids, cross tweeters at 4K, move Lows up to 4K) I can tell the Mids will add some good benefit down there, some times I even can't tell the difference if my Mids are on or not. A slightly difference between 2 and 3 way for me right now is that in 2 way configuration my stage is wider, and when performing in a 3 way highs are quite sharper and after a while my ears get tired. (my commute is over 200 miles/day, so lot's of time to play around) "I'm wondering what Sqcomp is trying to do with his tweeters? very curious." D.
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